Sac Louis Vuitton Pas Cher I can easily believe that a girl should be taught to wish to love by reading how Laura Bell loved Pendennis. Pendennis was not in truth a very worthy man, nor did he make a very good husband; but the girl’s love was so beautiful, and the wife’s love when she became a wife so womanlike, and at the same time so sweet, so
Air Max 90 Pas Cher unselfish, so wifely, so worshipful ― in the sense in which wives are told that they ought to worship their husband ― that I cannot believe that any girl can be injured, or even not benefited, by reading of Laura’s love.
財布 ヴィトン There once used to be many who thought, and probably there still are some, even here in England, who think that a girl should hear nothing of love till the time come in which she is to be married. That, no doubt, was the opinion of Sir Anthony Absolute and of Mrs. Malaprop. But I am hardly disposed to believe that the old system was more favourable than ours to the purity of manners. Lydia Languish, though she was constrained
toms store by fear of her aunt to hide the book, yet had Peregrine Pickle in her collection. While human nature talks of love so forcibly it can hardly serve our turn to be silent on the subject. “Naturam expellas furca, tamen usque recurret.” There are countries in which it has been in accordance with the manners of the upper classes that the girl should be brought to marry the man almost out of the nursery ― or rather perhaps out of the convent ― without having enjoyed that freedom of thought which the reading of novels and of poetry will certainly produce; but I do not know that the marriages so made have been thought to be happier than our own.
clarisonic canada outlet Among English novels of the present day, and among English novelists, a great division is made. There are sensational novels and anti-sensational, sensational novelists and anti-sensational, sensational readers and anti-sensational. The novelists who are considered to be anti-sensational are generally called realistic. I am realistic. My friend Wilkie Collins is generally supposed to be sensational. The readers who prefer the one are supposed to take delight in the elucidation of character. Those who hold by the other are charmed by the continuation and gradual development of a plot. All this is, I think, a mistake ― which mistake arises from the inability of the imperfect artist to be at the same time realistic and sensational.