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March 18 [Mon], 2013, 10:09

Louis Vuitton Sac I did intend when I meditated that history of English fiction to include within its pages some rules for the writing of novels ― or I might perhaps say, with more modesty, to offer some advice on the art to such tyros in it as might be willing to take advantage of the experience of an old hand. But the matter would, I fear,
Nike Pas Cher be too long for this episode, and I am not sure that I have as yet got the rules quite settled in my own mind. I will, however, say a few words on one or two points which my own practice has pointed out to me.

ヴィト ン 財布 メンズ I have from the first felt sure that the writer, when he sits down to commence his novel, should do so, not because he has to tell a story, but because he has a story to tell. The novelist’s first novel will generally have sprung from the right cause. Some series of events, or some development of character, will have presented itself to his imagination ― and this he feels so strongly that he thinks he can present his picture
toms outlet canada in strong and agreeable language to others. He sits down and tells his story because he has a story to tell; as you, my friend, when you have heard something which has at once tickled your fancy or moved your pathos, will hurry to tell it to the first person you meet. But when that first novel has been received graciously by the public and has made for itself a success, then the writer naturally feeling that the
clarisonic brush heads writing of novels is within his grasp, looks about for something to tell in another. He cudgels his brains, not always successfully, and sits down to write, not because he has something which he burns to tell, but because be feels it to be incumbent on him to be telling something. As you, my friend, if you are very successful in the telling of that first story, will become ambitious of further storytelling, and will look out for anecdotes ― in the narration of which you will not improbably sometimes distress your audience.
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