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March 18 [Mon], 2013, 11:30

cheap isabel marant The language in which the novelist is to put forth his story, the colours with which he is to paint his picture, must of course be to him matter of much consideration. Let him have all other possible gifts ― imagination, observation, erudition, and industry ― they will avail him nothing for his purpose, unless he can put forth his work in pleasant words. If he be confused, tedious, harsh, or unharmonious, readers will certainly reject him.
toms shoes sale The reading of a volume of history or on science may represent itself as a duty; and though the duty may by a bad style be made very disagreeable, the conscientious reader will perhaps perform it. But the novelist will be assisted by no such feeling. Any reader may reject his work without the burden of a sin.
Sac Louis Vuitton Pas Cher It is the first necessity of his position that he make himself pleasant. To do this, much more is necessary than to write correctly. He may indeed be pleasant without being correct ― as I think can be proved by the works of more than one distinguished novelist. But he must be intelligible ― intelligible without trouble; and he must be harmonious.

Air Max 90 Pas Cher Any writer who has read even a little will know what is meant by the word intelligible. It is not sufficient that there be a meaning that may be hammered out of the sentence, but that the language should be so pellucid that the meaning should be rendered without an effort of the reader ― and not only some proposition of meaning, but the very sense, no more and no less, which the writer has intended to put into his words.
財布 ヴィトン What Macaulay says should be remembered by all writers: “How little the all-important art of making meaning pellucid is studied now! Hardly any popular author except myself thinks of it.” The language used should be as ready and as efficient a conductor of the mind of the writer to the mind of the reader as is the electric spark which passes from one battery to another battery. In all written matter the spark should carry everything; but in matters recondite the recipient will search to see that he misses nothing, and that he takes nothing away too much. The novelist cannot expect that any such search will be made. A young writer, who will acknowledge the truth of what I am saying, will often feel himself tempted by the difficulties of language to tell himself that some one little doubtful passage, some single collocation of words, which is not quite what it ought to be, will not matter. I know well what a stumbling-block such a passage may be. But he should leave none such behind him as he goes on. The habit of writing clearly soon comes to the writer who is a severe critic to himself.

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